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Rio De Janeiro - Culture

Rio today has a population of about 11 million people. Rio is the second largest city of Brazil on the Atlantic Coast about 200 miles (320 KM) west of Sao Paulo (5th largest city in the world). The mix of ocean, mountain and trees make Rio one of the most beautiful cities in the world Shopping centres are no longer just big commercial centres, they're also leisure centres Many promote cultural events that, together with several theatres, cinemas and  restaurants, make them a week-end program for many people. 

Rio de Janeiro has several cinemas, with varied characteristics regarding programs and facilities. Many of the several museums in Rio, with varied collections, belong to companies or are located inside libraries. 

Rio de Janeiro has many parks, squares and gardens, with varied characteristics. Going to the beach is a major program in Rio, appreciated by most "cariocas". The beach is not only a place for swimming or sun-bathing: it's a place for meeting friends and for practicing sports. In Rio, people go to the beach even in winter and in cloudy days and several people stay there until the night comes. Many of our photos have been shot in winter and in heavily clouded days. Practicing sports is important and stimulated by the government and by private companies. Several beaches have special illumination poles that allow football  and volleyball matches in the sand at night. In Arpoador beach there's special illumination towards the sea, for the practice of surf. The cycling lane offers an automobile-free space for cyclists and roller-bladders. Some companies have installed gymnastic equipment in the sand: advertising with social profit. Rio de Janeiro has many buildings of historic importance, but not all of them are in good conditions. Some have been used by government entities for several years and this is so deeply engraved in the people's memory that very few remember the original function of those buildings. The use of architectonic monuments by bureaucratic organisms has been marked in the destruction of our historic inheritance.

National library organized by the king of Portugal, D. José, as a substitute to the "Real Bibliotheca", destroyed in a fire in 1755. The "Livraria" was brought by D. João VI to Brazil in 1808 and, after independence, it was bought and paid by the Brazilian Empire to Portugal - according to "Convenção Adicional ao Tratado de Paz e Amizade". After having had several addresses, its head-office was moved to its actual address on October 29th., 1910. 8 million pieces were counted in 1990, of varied subjects. It has books, newspapers, manuscripts etc. of both national and foreign writers. The Legal Deposit Decree , which determines that a copy of every work printed in Brazil is sent to the National Library, contributes to its permanent growth.

Carnival, started 10000 years before Christ. The word "carnival" may have its origin in the latin expression carrum novalis, with which the Romans opened their celebrations, or in the word carnelevale, from the Milanese dialect, which means "goodbye to meat" - an allusion to the start of christian Lent.

Carnival almost disappeared from Europe, where this partu has already been very important in several places. The Portuguese carnival, which has been taken to its colonies (including Brazil) has always been very different from carnival in other European countries, being recognized even by Portuguese authors as a party whose main characteristics were dirt and violence.

Carnival was started in Brazil in 1723, with the migration coming from the Portuguese islands of Madeira, Açores and Cabo Verde. The carnival commemorations, called Entrudo (word of latin origin meaning "entrance"), were similar to the ones which happened in Portugal - described by the Brazilian-Portuguese Encyclopædia:

"Everywhere along the streets there was a true fight where the weapons were eggs, or their shells filled with flour or plaster, cartridges of gum powder, wax bottles filled with perfumed water, lupines, glass or card tubes used to blow violently, corn and beans which were poured on the heads of those passing by. There were also gloves filled with sand thrown on hats of careless people and oranges, tangerines and even cakes. In several districts people threw to the streets, or from one window to another, old pans and pots which were no longer being used, as it was later done in the last day of the year, showing the intention of putting an end to all old things in the house. In the old Portuguese entrudos people also used hitting others with brooms, wooden spoons etc.."

The French artist Debret has depicted images of Entrudo in Rio de Janeiro, very similar to the scenes described above.

In 1840 the first Carnival Ball  happened. A traditional masks shop imported masks and fake moustaches and beards to help making the fancy clothes.

In 1852 the Zé Pereira appeared, a group of drums leaded by the shoesmith José Nogueira de Azevedo Paredes, who strolled along the city streets, making fun during Carnival. Next came other instruments, like "cuícas", tambourines and "pandeiros".

In 1855 the first big carnival clubs were born: the Big Societies . These clubs did not gather just for carnival, but also for civic reasons. With their organization and allegoric cars, they were the precursors of today's organized Carnival. By that time, Carnival still had a very European style, which gradually evolved and became more Brazilian.

In 1907 the Corso  was born, a parade of automobiles which became one of the main attractions of Rio's carnival during the first decades of the 20th. century.

The "cordões" and "blocos" gave birth to the samba-schools, which still exist. The first of them, founded in 1928 in the district called Estácio, was named Deixa Falar (which means "Let them talk"). The first parade, still extra-official, happened in 1932; the first official parade dates from 1935 and happened in Praca Onze, a traditional point of concentration for "blocos" and "cordões". With the city's urban evolution, Praça Onze was destroyed for building Av. Presidente Vargas and the parade was moved several times until 1984, when the creation of Passarela do Samba offered them a definitive place.

For 3 decades the samba-schools parades happened spontaneously: only in 1963 the first arquibancadas were built and its places were sold to the audience, at Av. Presidente Vargas. Today, the parade is very valuable and disputed: besides the tickets, also the rights for radio and TV transmission, records etc. are sold.

In the place today known as Praça Onze, next to the place where that square used to be, RioTur has built the Terreirao do Samba, a space where several alternative happenings take place, for those who can not afford Passarela do Samba.


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